Project Categories: Completed

  • Mondays

    Mondays

    Short-form comedy web series.

    Mondays follows Kelly, a 20-something woman, as the mundane and routine events in her life become awkward and funny. For Kelly, every day feels like a Monday!

    Directed by: Arnon Manor

    Written by: Kelsey Bascom

    Produced by: Arnon Manor / Chemical Soup

    Cast: Kelsey Bascom, Clayton Snyder, Philippe Brenninkmeyer, Jillian Rose Reed, Rizwan Manji, Heather Elizabeth Morris, Maya Lynne Robinson, Jeff Wild, Kimberly J. Brown, Sarah Booth.

  • Cops and Robbers

    Cops and Robbers

    Netflix Peabody Award winning short

    Animation and activism unite in this multimedia spoken-word response to police brutality and racial injustice.

    Cops And Robbers won a Peabody Award in 2020 for “crafting a timely, kaleidoscopic collective ode to interrupted Black childhoods that brims with righteous urgency and welcome tenderness”. Link to peabodyawards.com

    Directed by:  Arnon Manor & Timothy Ware-Hill.

    Produced by:  Lawrence Bender, Arnon Manor, Timothy Ware-Hill.

    Production Companies:  Chemical Soup, Lawrence Bender Productions, Netflix.

    Written by:  Timothy Ware-Hill.

    Cast:  Timothy Ware-Hill.

    Executive Producers:  Jada Pinkett Smith, Neishaw Ali, Janet Jeffries.

    Written by:  Timothy Ware-Hill.

    Editor:  Terilyn A. Shropshire, ACE.

    Composer:  Jerry Compere.

    Sound Mixer:  Ezra Dweck.

    Sound Designer:  Greg Hedgepath.

    Cops and Robbers demands you hold the nostalgic implications of its title alongside its more mature connotations. As its title stresses, the make-believe of the childhood game evoked rings differently for young Black kids whose interactions with police officers do not make for such lighthearted play. Ruminating on his younger years, Ware-Hill paints a portrait of the innocence young Black boys like him are seldom afforded. “I want to go back to when we used milk crates for basketball hoops,” Ware-Hill says, in between breaths, as he jogs toward the camera, “When hands up, don’t shoot was for when people was blocking my jump shots.” But if the poem centers on his singular memories, the animated visuals that accompany it, produced by 30 individual artists, students and VFX companies from around the world, encompass just as many distinct animated styles throughout, speaking to a shared lived experience. For crafting a timely, kaleidoscopic collective ode to interrupted Black childhoods that brims with righteous urgency and welcome tenderness, Cops and Robbers deserves a Peabody.